Putting the Garden to Bed

December 2023

I love to potter in the garden, especially on summer evenings when it’s light until nearly 11 o’clock.  Gardening in late autumn is another story. ‘Pottering’ has given way to hasty forays between torrential showers. Everything has to be done quickly, partly because it’s cold, partly because it’s about to rain again, and partly because the daylight ends so abruptly, just after 6.

That means that the big tasks proper to this time of year have to be accomplished in the least favourable conditions. I’m fortunate to have someone to call when they need doing: a splendid gardener whose schedule permits him to dedicate a few days each year to La Laguna. If my strong point is endurance (as in weeding, bent over, hour after hour), his is a breadth of horticultural knowledge, along with the strength to hold a motor-saw steady long enough to prune 180 large hydrangeas, 40 roses, a dozen shrubs, the lavender bed and the birch walk’s unruly growth, in a single November day. In April, he performs another Herculean feat by giving the 23 metre-wide labyrinth its annual trim, then transforming the abundant clippings into mulch.

Last week, on one of the few sunny days we’ve had since mid-October, between us we prepared the garden for winter – or, as the English say, ‘put it to bed’. All the end-of-season vegetables were finally harvested, and anti-weed mats spread over the plot where they had been. The long watering hoses now lie coiled in protective plastic under the terrace’s stone table. Pots of geraniums have been moved to shelter, bulbs planted, marigold and calendula seed collected, herbs hung to dry indoors. I also planted a ‘Camino de Santiago’ rose, bred by pilgrim and rose expert Norman Sinclair, and delivered here a few weeks ago by Norman himself: one of the many examples that he has presented to municipalities, religious communities and individuals along the Camino Francés. I’m delighted and proud that Norman considered this Quiet Garden a worthy recipient. Next year, I’ll hope to post a photo of it. Meanwhile, here is one showing the last roses of the year, in a jug made by my friend Elizabeth Block, of Toronto, many years ago.

Never Give Up!

June 2023

Last autumn, a friend ordered a bare-root shrub rose from a leading English grower and had it sent to me as a surprise gift. As weeks went by and she heard nothing from me, she rang to ask whether it had arrived, and on learning that it hadn’t, passed on the order number so that I could investigate. The grower was as mystified as I was, since the item was registered as having been delivered.

A month went by, making it nearly two since the original order. Not until Christmas was on the horizon did a somewhat battered box appear outside my door, the bare-root rose inside as dry as the proverbial bone. On reading the instructions that came with it, I saw that the time it had been without water, heaven knew where, far exceeded the recommended limit. None the less, wanting to give it the benefit of the doubt, I planted it in a big pot, found a sheltered corner for it, and crossed my fingers.

At intervals during the winter, I ventured out to look at the reproachful little bundle of dry twigs. February, March and April came and went, the rest of the garden came into exuberant leaf, but the little bundle remained …just that.  When my friend asked about it, I tried to sound hopeful, but as May advanced, I sadly began to wonder what else I might plant in that big pot. I’d given up on it, but couldn’t bring myself to put it in the bin.

Last week, after several rainy days, a sunny evening tempted me outside. Rounding a corner of the house, I halted, astonished to see an inch-long stem bursting from among the twigs, crowned with fresh, glossy leaves. Within days it was 6 inches high. This is how it looks as I write: a reminder – at least to me – not to give up too soon. Even the most unpromising things may surprise you!

As Spring Advances ...

May 2023

For the past week, for some unknown reason, we have had no street lighting along La Laguna’s single road, so that if I step outside at night, I am enveloped in pre-industrial darkness. Silence is never really silent in the depths of the country. When you stand still and listen, it’s actually full of sounds: the rustle of leaves, the stirring of insects, birds settling down for the night, the far-off, distinctive bark of a neighbour’s dog. It’s heartening to be reminded that life goes on even when we cannot see what is right in front of us.

This year, unlike the past several, it seems that this small corner of the world is on course to have a spring like the ones before 2017, the year when the negative effects of climate change really began to be felt in these parts. As of today, the wisteria that runs along two walls of my house has been in flower for ten days, and its leaves are starting to emerge as the long garlands of blossom fade. The lilacs are burgeoning, too, and the big yellow irises in the lane are fully out. Long-range weather forecasts promise us a frost-free month, and on the strength of them I’ve dared to transfer some black currant cuttings, obtained at a seed-swap event back in February, to their permanent positions outside. Fingers crossed that the forecasts are right, not just for this garden, but for the wine producers of Galicia’s Ribera Sacra, whose vines, planted on the steep hillsides terraced by the Romans, have been devastated by May frosts in recent years.

Attending the conference of the Spanish federation of Camino-related associations in Orense last week was stimulating, informative, intense and fun, all at once. It was wonderful to reconnect with Camino friends not seen since before the pandemic, and to catch up with projects aimed at improving still further what can be offered to pilgrims in many localities. It was also encouraging to hear, as the leitmotif of so many of the presentations, the commitment to traditional hospitality: a major concern, as some readers will recognise, of my recent book, Waybread. Others may smile to learn that plantago mayor, the plant that set off the idea for the book in the first place, is once again to be seen ‘here, there and everywhere’ around the garden, resisting all efforts to shift it.

Notes From a Quiet Garden  

April 2023

The equinox has passed, the clocks have gone forward. Spring is officially here, though at an altitude of 1100 metres, signs of it are slower to emerge than in places lower down. In Sarria, for instance, 40 kilometres farther along the Camino Frances at a tenth the altitude of La Laguna, there are already early roses, whereas mine are just putting forth leaves.

Still, the promise of the season is evident. Tiny aconites and snowdrops nod in the angles where granite walls meet, and I note that last year’s deep blue muscari have established themselves in new situations that owe nothing to any effort of mine. They join the irrepressible calendulas - hundreds of them, all the offspring of a single plant given to me by a neighbour – in bringing dashes of bright colour to a garden that is still largely clad in wintry brown.

Another charmer is the red-stemmed dogwood (cornus sibericus), cheerily coming into leaf against the stone wall outside my kitchen, but what is really splendid just now is my sole star magnolia, decked in white blossom like an old-fashioned bride. This little tree, whose furry grey buds have been biding their time since December, seems to possess an innate wisdom that prevents it from flowering too soon. I wish I could say the same of the narcissi, true harbingers of spring joy, but soon blown flat by the westerly gales.

It’s too early, at this elevation, to plant seeds in the open ground of the vegetable plot before mid-May, but one can plan. I always try to include something I’ve never grown before, partly for fun and partly to have something interesting to offer my neighbours, who are generous to a fault in sharing their produce. Since I can’t rival their immense and perfect specimens, I resort to novelty, and so far have introduced them to parsnips, shallots, black tomatoes and oak-leaf lettuce. This year it will be a variety of chard called ‘Bright lights’, a riot of red and yellow stems with variegated leaves that look as good on the platter as they do in the plot.